{"title":"Black Writing, Thought, Culture","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNon-fiction works of memoir, criticism, history, political thought and essays by Black writers across continents, traditions and forms. This shelf moves between literature, identity, abolition, grief, theory, memory, culture and resistance — for readers interested in language, power, social life and the intellectual force of Black writing beyond tokenised canons or single-category framing.\u003c\/p\u003e","products":[{"product_id":"notes-on-grief-by-chimamanda-ngozi-adichie","title":"'Notes on Grief' by Chimamanda Ngozi Adichie","description":"\u003ch4 data-start=\"191\" data-end=\"312\"\u003eA spare, unsentimental meditation on loss by Chimamanda Ngozi Adichie, author of \u003cem data-start=\"272\" data-end=\"284\"\u003eAmericanah\u003c\/em\u003e and \u003cem data-start=\"289\" data-end=\"311\"\u003eHalf of a Yellow Sun\u003c\/em\u003e.\u003c\/h4\u003e\n\u003cp data-start=\"314\" data-end=\"640\"\u003eWritten after the sudden death of her father in June 2020, \u003cem data-start=\"373\" data-end=\"389\"\u003eNotes on Grief\u003c\/em\u003e traces the strange education that mourning forces on you — the anger, the flatness, the clichés people reach for when language fails. Adichie examines how grief distorts time, how it remakes the body, and how love doesn’t end so much as change state.\u003c\/p\u003e\n\u003cp data-start=\"642\" data-end=\"861\"\u003eExpanded from her original \u003cem data-start=\"669\" data-end=\"681\"\u003eNew Yorker\u003c\/em\u003e essay, this is both a tribute to a deeply loved father and a precise anatomy of grief itself. It is intimate, unsparing, and unwilling to tidy anything up for the comfort of the reader.\u003c\/p\u003e\n\u003cp data-start=\"863\" data-end=\"894\"\u003eHardcover. Excellent condition.\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":43402728243283,"sku":null,"price":10.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign_3.svg?v=1767928814"},{"product_id":"cybertypes-race-ethnicity-and-identity-on-the-internet-by-lisa-nakamura","title":"'Cybertypes. Race, Ethnicity and Identity on the Internet.' by Lisa Nakamura","description":"\u003ch4 data-end=\"575\" data-start=\"73\"\u003eThe internet is a space that invites and excludes, much like other spaces we know.\u003c\/h4\u003e\n\u003cp data-end=\"575\" data-start=\"73\"\u003e\u003cmeta charset=\"utf-8\"\u003eA foundational study of how race and ethnicity are produced, performed, and constrained online. Lisa Nakamura examines early internet spaces—chat rooms, role-playing environments, avatars, and user profiles—to show how digital “freedom” often reproduces familiar racial stereotypes and power structures.\u003c\/p\u003e\n\u003cp data-end=\"575\" data-start=\"73\"\u003eRather than treating the internet as neutral or disembodied, the book tracks how identity is coded, visualised, and consumed, especially through white defaults and \"exoticised\" difference.\u003c\/p\u003e\n\u003cp data-end=\"748\" data-start=\"577\"\u003eStill widely cited, \u003cem data-end=\"632\" data-start=\"620\"\u003eCybertypes\u003c\/em\u003e is useful for readers interested in digital culture, media studies, race theory, and the social history of the web.\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":43411989495891,"sku":null,"price":16.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/b2800b71-ea7f-46cd-b812-7985ee01f237.jpg?v=1768281580"},{"product_id":"reconstruction-edited-by-mothobi-mutloatse","title":"'Reconstruction' Edited by Mothobi Mutloatse","description":"\u003ch4 data-start=\"203\" data-end=\"418\"\u003eA landmark anthology of Black South African writing spanning ninety years, \u003cem data-start=\"278\" data-end=\"294\"\u003eReconstruction\u003c\/em\u003e gathers essays, fiction, reportage and cultural criticism from the late nineteenth century through the height of apartheid.\u003c\/h4\u003e\n\u003cp data-start=\"420\" data-end=\"778\"\u003eEdited by Mothobi Mutloatse and published by the politically significant Ravan Press in 1981, the collection documents intellectual resistance, literary experimentation, and the shifting language of liberation. It draws from newspapers, magazines, speeches, and creative work that shaped Black public thought in South Africa long before and during apartheid.\u003c\/p\u003e\n\u003cp data-start=\"780\" data-end=\"846\"\u003eA substantial historical document as much as a literary anthology.\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44070749175891,"sku":null,"price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/ScholarsCreatingDigitalMapsofSpinoza_sEthics_50.png?v=1771665504"},{"product_id":"in-the-company-of-men-the-ebola-tales-by-veronique-tadjo","title":"'In The Company of Men: The Ebola Tales' by Véronique Tadjo","description":"\u003ch4 data-start=\"161\" data-end=\"465\"\u003eTadjo moves between Guinea, Liberia and Sierra Leone, tracing the human, ecological and spiritual dimensions of the Ebola crisis.\u003c\/h4\u003e\n\u003cp data-start=\"161\" data-end=\"465\"\u003e\u003cem data-start=\"161\" data-end=\"184\"\u003eIn the Company of Men\u003c\/em\u003e is a short novel by Ivorian writer Véronique Tadjo, written in the wake of the West African Ebola epidemic. It asks: how does a virus travel through bodies shaped by colonial history, fragile healthcare systems, deforestation, poverty? What does responsibility mean when catastrophe is collective?\u003c\/p\u003e\n\u003cp data-start=\"717\" data-end=\"808\"\u003ePart fable, part documentary, part chorus. For readers interested in global literature, ecological writing, pandemic narratives, and postcolonial fiction that refuses simplification.\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44095706562643,"sku":null,"price":14.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign-2026-02-25T163406.887.png?v=1771999475"},{"product_id":"different-rainbows-by-peter-drucker-editor","title":"'Different Rainbows' compiled by Peter Drucker","description":"\u003ch4\u003eThe LGBTQIA+ community is not isolated to country, yet many voices within are not heard often enough.\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003eDifferent Rainbows \u003c\/em\u003e gives a sample of some of the most interesting work being done around the world, and raises some of the fundamental issues posed for scholars and activists. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor far too long, writing and theorising about the experiences of eroticism, activism and movements within the queer community has been dominated by the theories and accounts generated in the west, then imposed on and exported to the rest of the world. It is important that literature expresses them, as it is done here.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by the Gay Man's Press, these essays focus on Brazil, Mexico, Kenya, South Africa, India and China, by authors including Dennis Altman, Margaret Randall and Mark Gevisser.\u003cbr\u003e\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44157027778643,"sku":null,"price":7.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign-2026-02-28T143410.226.png?v=1772249675"},{"product_id":"gather-together-in-my-name-by-maya-angelou","title":"'Gather Together in my Name' by Maya Angelou","description":"\u003ch4 data-start=\"93\" data-end=\"245\"\u003e\n\u003cem data-start=\"93\" data-end=\"121\"\u003eGather Together in My Name\u003c\/em\u003e continues Maya Angelou’s autobiographical cycle after the extraordinary success of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eI Know Why the Caged Bird Sings\u003c\/span\u003e\u003c\/span\u003e.\u003c\/h4\u003e\n\u003cp data-start=\"247\" data-end=\"552\"\u003eThe book follows Angelou in the turbulent years after becoming a teenage mother in the mid-1940s. Moving through wartime California and the uneasy freedoms of postwar America, she drifts through a series of jobs and worlds — cook, dancer, streetcar conductor, club performer — while raising her young son.\u003c\/p\u003e\n\u003cp data-start=\"554\" data-end=\"808\"\u003eAngelou writes about poverty, racism, love, crime, and misjudgment with an almost alarming honesty, tracing how a young woman tests the boundaries of adulthood before gradually assembling a sense of self.\u003c\/p\u003e\n\u003cp data-start=\"810\" data-end=\"1049\"\u003eAngelou presents early adulthood as a sequence of improvisations through which identity slowly hardens into something durable. A beautiful book.\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44168877604947,"sku":null,"price":12.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign-2026-03-05T182833.859.png?v=1772695743"},{"product_id":"known-and-strange-things-essays-by-teju-cole","title":"'Known and Strange Things: Essays' by Teju Cole","description":"\u003ch4 data-start=\"240\" data-end=\"649\"\u003eIn \u003cem data-start=\"243\" data-end=\"269\"\u003eKnown and Strange Things\u003c\/em\u003e, Teju Cole gathers essays written over several years for magazines and journals, moving across literature, photography, politics, and travel with a distinctive mix of clarity and restraint.\u003c\/h4\u003e\n\u003cp data-start=\"240\" data-end=\"649\"\u003eThe collection ranges widely: reflections on writers like Baldwin and Sebald sit alongside pieces on visual art, urban observation, and the uneasy moral terrain of contemporary global life.\u003c\/p\u003e\n\u003cp data-start=\"651\" data-end=\"983\"\u003eHis essays often begin with something small—a photograph, a walk through a city, a line in a novel—and gradually widen into larger meditations on memory, colonial histories, and the ethics of seeing. The voice is patient and attentive, less interested in argument than in careful observation.\u003c\/p\u003e\n\u003cp data-start=\"985\" data-end=\"1164\"\u003eWhat holds the book together is Cole’s particular sensibility: intellectually curious, aesthetically alert, and quietly sceptical of the stories modern culture tells about itself.\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44182017507411,"sku":null,"price":12.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/ScholarsCreatingDigitalMapsofSpinoza_sEthics-2026-03-11T194517.126.png?v=1773218740"},{"product_id":"black-on-both-sides-a-history-of-trans-identity-by-c-riley-snorton","title":"'Black on Both Sides: A History of Trans Identity' by C. Riley Snorton","description":"\u003ch4 data-start=\"11\" data-end=\"531\"\u003eIn \u003cem data-start=\"14\" data-end=\"71\"\u003eBlack on Both Sides: A Racial History of Trans Identity\u003c\/em\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eC. Riley Snorton\u003c\/span\u003e\u003c\/span\u003e re-examines the history of trans identity through the intertwined histories of race, slavery, and Black life in the United States.\u003c\/h4\u003e\n\u003cp data-start=\"11\" data-end=\"531\"\u003eAs transgender history is not a recent nor isolated phenomenon, Snorton traces how ideas about gender variance emerged alongside the racial logics of the Atlantic world, moving from the archives of slavery through literature, medical discourse, and twentieth-century activism.\u003c\/p\u003e\n\u003cp data-start=\"533\" data-end=\"1003\"\u003eDrawing on historical records, visual culture, and figures ranging from enslaved people to early twentieth-century gender-nonconforming performers, the book argues that the categories used to understand trans identity were shaped within systems that also produced racial hierarchy.\u003c\/p\u003e\n\u003cp data-start=\"533\" data-end=\"1003\"\u003eSnorton’s work reframes the history of gender variance as inseparable from the history of Blackness itself, offering a rigorous and influential intervention in contemporary gender studies. It is not a simple read, however it is a vital text in gender and race studies.\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44185732841555,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/ScholarsCreatingDigitalMapsofSpinoza_sEthics-2026-03-13T112055.077.png?v=1773361304"},{"product_id":"the-burden-of-memory-the-muse-of-forgiveness-by-wole-soyinka","title":"'The Burden of Memory, The Muse of Forgiveness' by Wole Soyinka","description":"\u003ch4 data-start=\"145\" data-end=\"638\"\u003eA compact but forceful work of political and literary reflection, drawn from Soyinka’s Du Bois lectures and concerned with memory, atrocity, reconciliation, and the moral fraudulence that often hides inside calls to “move on.”\u003c\/h4\u003e\n\u003cp data-start=\"145\" data-end=\"638\"\u003eHe writes through Africa, negritude, reparations, truth, amnesty, and the uses of history, asking what forgiveness can mean when power wants absolution without reckoning. It is less a treatise than a sharpened intervention: essayistic, polemical, historically alert.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1153\"\u003eIt is a book about African political history and postcolonial thought, but also about literature’s relation to public memory and the problem of ethical speech after violence. Soyinka never writes like a dead academic. Even when the argument is dense, there is heat in it. This is the kind of slim serious hardback that appeals to readers of politics, theory, African literature, and intellectual history without needing to be enormous.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1153\"\u003e\u003cmeta charset=\"utf-8\"\u003eOxford University Press hardback, \u003cstrong data-start=\"102\" data-end=\"142\"\u003efirst edition \/ first printing, 1999\u003c\/strong\u003e.\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44267887919187,"sku":null,"price":24.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign-2026-03-22T164809.981.png?v=1774158500"},{"product_id":"the-silence-by-gilles-peress","title":"'The Silence' by Gilles Peress","description":"\u003ch4 data-start=\"859\" data-end=\"1486\"\u003eA brutal, formally restrained photobook on the 1994 Rwandan genocide, \u003cem data-start=\"939\" data-end=\"952\"\u003eThe Silence\u003c\/em\u003e brings together Gilles Peress’s black-and-white photographs with a chronology and legal-historical material by Alison Des Forges.\u003c\/h4\u003e\n\u003cp data-start=\"859\" data-end=\"1486\"\u003eIt is not arranged to soften or narrativise catastrophe for the reader; the effect is closer to evidence than reportage, assembling fragments of aftermath, witness, and institutional failure into something stark and hard to shake.\u003c\/p\u003e\n\u003cp data-start=\"859\" data-end=\"1486\"\u003eMagnum describes the work as tracing the horror of the genocide, while MoMA exhibited the photographs the same year the book appeared. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1488\" data-end=\"1709\"\u003e\u003cstrong\u003eThis book was issued in 1995 as a paperback original, and it comes with the accompanying booklet\/slip. It is in great condition.\u003c\/strong\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44325166415955,"sku":null,"price":225.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign-2026-03-30T162039.091.png?v=1774848056"},{"product_id":"the-pushcart-prize-2014-by-various-authors","title":"'The Pushcart Prize: 2014' by Various Authors","description":"\u003ch4 data-start=\"0\" data-end=\"369\"\u003eA yearly snapshot of the small press ecosystem at work, where a lot of the interesting writing actually happens.\u003c\/h4\u003e\n\u003cp data-start=\"0\" data-end=\"369\"\u003eThis 2014 edition pulls together fiction, essays, and poetry selected from hundreds of independent journals, giving you a cross-section of what was being written outside the commercial centre.\u003c\/p\u003e\n\u003cp data-start=\"371\" data-end=\"832\"\u003eWriters in this volume include names like George Saunders, Lydia Davis, Roxane Gay, Claire Vaye Watkins, and Denis Johnson alongside lesser-known voices, which is part of the point. The range is the thing here: tight short stories, strange fragments, political essays, formally odd pieces that wouldn’t survive elsewhere. It’s a browsing book as much as a reading one, something you dip into and come out of with a handful of writers you didn’t know you needed.\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69d1f59d-b318-8399-9252-36e0bd7d7f54-28\" data-testid=\"conversation-turn-66\" data-scroll-anchor=\"true\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"1351a720-df87-4ad8-8bb8-ba9886c9f3a2\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"849\" data-end=\"1032\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong\u003ePushcart Prize XXXVIII: Best of the Small Presses (2014), paperback edition. Clean copy with light general shelf wear; no major markings or damage.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44414446600275,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign-2026-04-08T123825.063.png?v=1775615915"},{"product_id":"the-hate-race-by-maxine-beneba-clarke","title":"'The Hate Race' by Maxine Beneba Clarke","description":"\u003ch4 data-end=\"585\" data-start=\"153\"\u003eMaxine Beneba Clarke writes through growing up Black in Australia in a mosaic of poetry, fragments, essays, moments that feel almost too small to matter until they accumulate into something hard to ignore.\u003c\/h4\u003e\n\u003cp data-end=\"585\" data-start=\"153\"\u003eRace is looked at in the classrooms, in language, in the offhand violences that happen day after day. Like most voices that understand what it means to live life seeing the shape of it for what it is, the prose is sharp, funny when it wants to be, and completely unwilling to sand anything down for comfort. You feel the craft, but you also feel the refusal behind it. \u003c\/p\u003e\n\u003cp data-end=\"585\" data-start=\"153\"\u003eIt reads quickly. It sits for longer than that.\u003c\/p\u003e\n\u003cp data-end=\"1037\" data-start=\"948\"\u003e\u003cstrong\u003eHachette Australia paperback, 2016. Signed inscription to previous owner on title page. Very good condition overall. Clean text block, light edge wear.\u003c\/strong\u003e\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44507140161619,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign-2026-04-19T132515.750.png?v=1776569204"},{"product_id":"island-people-the-caribbean-and-the-world-by-joshua-jelly-schapiro","title":"'Island People: The Caribbean and the World' by Joshua Jelly-Schapiro","description":"\u003ch4 data-end=\"525\" data-start=\"0\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e It is a book about the Caribbean, but also about the making of modernity itself.\u003c\/h4\u003e\n\u003cp data-end=\"525\" data-start=\"0\"\u003eRather than treating the region as a holiday backdrop, a political afterthought, or a string of separate islands, Jelly-Schapiro reads it as one of the modern world’s great engines: a place shaped by empire, slavery, revolution, migration, language, music, race, and trade, and in turn shaping the world far beyond its shores.\u003c\/p\u003e\n\u003cp data-end=\"1175\" data-start=\"527\"\u003eHe writes about Columbus, plantation economies, Toussaint Louverture, Fidel, tourism, exile, reggae, calypso, language politics, migration routes, New York, London, and Miami, but he keeps bringing it back to the lived texture of the islands themselves. \u003c\/p\u003e\n\u003cp data-end=\"1638\" data-start=\"1177\"\u003eThis is a strong copy for readers interested in colonial history, Black Atlantic thought, diaspora, geography, and cultural criticism, but it is written with enough movement and clarity that it never feels like homework. Good for anyone who reads C. L. R. James, Derek Walcott, Édouard Glissant, Jamaica Kincaid, Stuart Hall, or books that try to understand how a region becomes a world-system rather than just a map location. \u003c\/p\u003e\n\u003cp data-end=\"1638\" data-start=\"1177\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e2017 Canongate paperback edition. Very good overall, with light edge wear and a small crease\/bump to the upper front corner.\u003c\/strong\u003e\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44507222376531,"sku":null,"price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Untitleddesign-2026-04-19T135338.160.png?v=1776570837"},{"product_id":"the-black-body-in-ecstasy-reading-race-reading-pornography-by-jennifer-c-nash","title":"'The Black Body in Ecstasy: Reading Race, Reading Pornography' by Jennifer C. Nash","description":"\u003ch4 data-start=\"89\" data-end=\"505\"\u003eOn paper, it’s a study of race and pornography.\u003c\/h4\u003e\n\u003cp data-start=\"89\" data-end=\"505\"\u003eHowever, this book in practice interrogates how Blackness is read, consumed, and structured through desire, spectacle, and theory itself. It doesn’t simply condemn or reclaim. Instead, it moves through contradictions that accompany pleasure and violence, agency and objectification, and never submits to the binary. Reading is a sort of test to see how you personally read bodies under systems that already pre-code meaning.\u003c\/p\u003e\n\u003cp data-start=\"928\" data-end=\"1227\"\u003eIt also sits in that useful zone where academic work still feels alive. You can feel the dialogue with Black feminist theory, visual culture, and media studies, but it’s not trapped in citation performance.\u003c\/p\u003e\n\u003cp data-start=\"928\" data-end=\"1227\"\u003e\u003cstrong\u003e2014 Duke University Press. Clean paperback. Minimal visible wear, no obvious damage. Very good condition.\u003c\/strong\u003e\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44555918049363,"sku":null,"price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Yourparagraphtext_45.png?v=1777611046"},{"product_id":"divergences-an-anthology-of-neurodissident-worlds-edited-by-b-ombre-tarragnat","title":"'Divergences: An Anthology of Neurodissident Worlds' edited by Posthuman Press","description":"\u003ch4\u003e\n\u003ci class=\"\"\u003eDivergences\u003c\/i\u003e does not approach neurodivergence as diagnosis or identity, but instead becomes a lens through which the norm itself turns strange. \u003c\/h4\u003e\n\u003cdiv class=\"\"\u003eInside an alternate perceptual logic capable of reshaping how we think about intimacy, infrastructure, technology, and care emerges. As we travel across essays, poems, stories, memoir, and hybrid texts, \u003ci class=\"\"\u003eDivergences\u003c\/i\u003e asks what happens when perception runs on different circuitry: when language fractures into vibration and pulse, when politeness and coherence reveal themselves as imposed postures rather than neutral baselines. This collection resists sentimental narratives of difference. There is no recovery arc here. Nervous systems appear instead as sites of conflict and capacity—hyper-attentive, analytical, erotically charged, exhausted, lucid.\u003cbr class=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eForm carries the argument. Some pieces pulse in fragments and diaristic rupture; others move in tidal repetition, inviting skimming and sensory drift; while theory and confession coexist without hierarchy. The self appears composite—collaged and choral—language broken open to reveal the seams of diagnosis, gender, pain, and survival.\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cbr class=\"\"\u003eThroughout, the human is decentered. Bodies leak into animals, machines, landscapes. Stimming becomes cosmology; overload becomes method. The result is less a statement than a field recording: overlapping frequencies, friction and harmony in equal measure.\u003cspan\u003e \u003c\/span\u003e\u003ci class=\"\"\u003eDivergences\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edoes not explain neurodissidence from a distance. Inhabiting itself in a way that is rigorous, volatile, and formally alive.\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cstrong\u003ePrinted new. \u003c\/strong\u003e\u003c\/div\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44563406094419,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Yourparagraphtext_62.png?v=1777857769"},{"product_id":"divergences-and-entanglements-by-posthuman-press","title":"'Divergences' and 'Entanglements' by Posthuman Press","description":"\u003ch4\u003eSold as a pair, first and current issues of Posthuman Press Anthology. \u003c\/h4\u003e","brand":"bower books","offers":[{"title":"Default Title","offer_id":44563406225491,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Yourparagraphtext_63.png?v=1777858186"},{"product_id":"play-mas-independence-meetings-by-mustapha-matura","title":"'Play Mas, Independence \u0026 Meetings' by Mustapha Matura","description":"\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"da1e33a8-b360-4052-958b-c4ba773896d9\" data-testid=\"conversation-turn-189\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69eabb59-4cc8-839c-8c97-e04927ef0509-14\" data-testid=\"conversation-turn-190\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"c58928fe-c860-4e85-a48e-6601740c40a2\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003ch4 data-start=\"60\" data-end=\"454\"\u003eThis collection gathers three plays by Trinidadian playwright Mustapha Matura, one of the most important voices in postwar Black British theatre.\u003c\/h4\u003e\n\u003cp data-start=\"60\" data-end=\"454\"\u003eWritten in the aftermath of Caribbean migration to Britain and during the reshaping of postcolonial identity, these works move between political satire, community tension, carnival culture, and the bureaucratic absurdities of multicultural Britain.\u003c\/p\u003e\n\u003cp data-start=\"456\" data-end=\"843\"\u003eMatura’s writing has a looseness and social intelligence that feels theatrical in the best way: conversations overlap, humour undercuts ideology, and characters are never reduced to symbols even when the plays are explicitly political. \u003cem data-start=\"692\" data-end=\"702\"\u003ePlay Mas\u003c\/em\u003e in particular draws heavily on Trinidadian carnival traditions and questions of performance, nationhood, and inheritance after independence.\u003c\/p\u003e\n\u003cp data-start=\"845\" data-end=\"1015\"\u003eA strong piece for readers interested in Black British theatre, postcolonial writing, Caribbean literature, or politically engaged drama outside the usual academic canon.\u003c\/p\u003e\n\u003cp data-start=\"845\" data-end=\"1015\"\u003e\u003cstrong\u003e1982 Methuen New Theatrescripts paperback original. Moderate shelf wear and surface marks to wraps, with some rubbing and edge wear consistent with age. Interior appears clean and solid.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44570488471635,"sku":null,"price":14.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Yourparagraphtext_76.png?v=1778053495"},{"product_id":"merdeka-and-the-morning-star-civil-resistance-in-west-papua-by-jason-macleod","title":"'Merdeka and the Morning Star: Civil Resistance in West Papua' by Jason Macleod","description":"\u003ch4 data-start=\"39\" data-end=\"595\"\u003eA very devastating study on West Papuan resistance movements, written by Australian researcher and activist Jason MacLeod.\u003c\/h4\u003e\n\u003cp data-start=\"39\" data-end=\"595\"\u003eRather than focusing purely on armed struggle or geopolitical abstraction, \u003cem data-start=\"253\" data-end=\"283\"\u003eMerdeka and the Morning Star\u003c\/em\u003e traces the long history of civil resistance in West Papua: student networks, underground organising, Indigenous governance structures, cultural survival, churches, women’s groups, political prisoners, symbolic protest, and the difficult, often invisible work of maintaining collective identity under occupation.\u003c\/p\u003e\n\u003cp data-start=\"597\" data-end=\"1331\"\u003eMacLeod conducted extensive interviews across West Papua and Indonesia, many reproduced directly in the text, creating a work that moves between political theory, oral history, testimony, and structural analysis. The book is deeply attentive to the language of colonial administration, developmental violence, military occupation, and state denial. It examines not only overt brutality but the quieter mechanics of demographic engineering, resource extraction, displacement, bureaucratic containment, and informational suppression. In an Australian context especially, the book sits in uncomfortable proximity to broader Pacific histories of colonial management and strategic silence.\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1925\"\u003eThe interview sections are often harrowing. Testimonies of torture, sexual violence, disappearance, and intimidation are presented with very little sensationalism, which makes them hit harder. But the book is equally concerned with resistance as social infrastructure: how people continue organising culture, education, care, ceremony, political memory, and communication under sustained pressure. In that sense it feels less like a distant academic study and more like a forensic anatomy of how power attempts to dissolve a people over time — and how communities refuse disappearance anyway.\u003c\/p\u003e\n\u003cp data-start=\"1927\" data-end=\"2138\"\u003e\u003cstrong\u003ePublished by University of Queensland Press in 2015 as part of the \u003cem data-start=\"1994\" data-end=\"2032\"\u003eNew Approaches to Peace and Conflict\u003c\/em\u003e series. Paperback edition in very good condition with minor shelf wear. Clean interior and tight binding.\u003c\/strong\u003e\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44577466122323,"sku":null,"price":16.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Yourparagraphtext-2026-05-08T151155.495.png?v=1778217270"},{"product_id":"how-to-be-an-antiracist-by-ibram-x-kendi","title":"'How to Be an Antiracist' by Ibram X. Kendi","description":"\u003ch4 data-start=\"0\" data-end=\"678\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eThe book’s central proposition is deliberately confrontational: there is no neutral position. One is either actively opposing racist systems or passively reinforcing them.\u003c\/h4\u003e\n\u003cp data-start=\"0\" data-end=\"678\"\u003eRather than framing racism as a matter of individual prejudice or personal morality alone, Kendi argues that racism is produced and maintained through policy, institutions, incentives, cultural narratives and systems of power. \u003c\/p\u003e\n\u003cp data-start=\"680\" data-end=\"1208\"\u003ePart of what made the book so culturally significant on release was its ability to translate academic and activist discourse into a direct, highly accessible public language. Kendi blends autobiographical material with broader political analysis, moving through topics like education, criminal justice, culture, capitalism, identity, assimilation, class, gender and nationalism. \u003c\/p\u003e\n\u003cp data-start=\"1210\" data-end=\"1823\"\u003eSeveral years removed from the peak institutionalisation of anti-racist discourse, the book also functions as an artefact of a very specific historical atmosphere. This is post-2016 political rupture, heightened online activism, mass institutional self-auditing, and the mainstreaming of structural language around race and power. Whether read sympathetically, critically, or historically, it remains one of the defining texts of that period. It’s also a useful companion to broader shelves on critical race theory, identity politics, media discourse and the politics of liberal institutions in the 2010s.\u003c\/p\u003e\n\u003cp data-start=\"1825\" data-end=\"2035\"\u003e\u003cstrong\u003e2019 Bodley Head \/ Penguin Random House UK hardback edition. Good condition overall with light shelf wear and faint handling marks to wraps. Internally clean with solid binding and no major inscriptions noted.\u003c\/strong\u003e\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44607032197203,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Yourparagraphtext-2026-05-13T161759.698.png?v=1778653214"},{"product_id":"sweatshop-women-volume-1-edited-by-winnie-dunn","title":"'Sweatshop Women: Volume 1\" edited by Winnie Dunn","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-69eabb59-4cc8-839c-8c97-e04927ef0509-5\" data-is-intersecting=\"true\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69eabb59-4cc8-839c-8c97-e04927ef0509-5\" data-turn-id-container=\"request-69eabb59-4cc8-839c-8c97-e04927ef0509-5\" data-testid=\"conversation-turn-302\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"f049461c-6a34-4ac5-8fbb-f31717834ad7\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003ch4 data-start=\"0\" data-end=\"492\"\u003e\n\u003cem data-start=\"0\" data-end=\"29\"\u003eSweatshop Women: Volume One\u003c\/em\u003e gathers prose and poetry from twenty-five women writers from Indigenous, migrant and refugee backgrounds, building a collective portrait of Western Sydney.\u003c\/h4\u003e\n\u003cp data-start=\"0\" data-end=\"492\"\u003eAcross stories of family, faith, sexuality, class, migration, language and suburban survival, the anthology moves between tenderness, vulgarity, humour, shame and memory without forcing its contributors into a single literary register or political posture.\u003c\/p\u003e\n\u003cp data-start=\"494\" data-end=\"902\"\u003eEdited by Winnie Dunn with a foreword by Michelle Law, the collection captures the density of contemporary Australian life often flattened by mainstream publishing into either “multiculturalism” or pathology. What emerges instead is a textured chorus of voices: sharp, funny, restrained, angry, intimate and socially precise, documenting the emotional architecture of outer-suburban Australia in real time.\u003c\/p\u003e\n\u003cp data-start=\"915\" data-end=\"1134\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong\u003e2019 paperback edition published by Sweatshop Western Sydney. Very good condition with light shelf wear; a clean, contemporary small-press title from one of Australia’s most important independent literary organisations.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44633144721491,"sku":null,"price":14.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Yourparagraphtext-2026-05-18T141153.916.png?v=1779077528"},{"product_id":"louis-armstrong-by-hugues-panassie","title":"'Louis Armstrong' by Hugues Panassié","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-6a13ebf1-e3bc-83ec-8e04-eb5854921a4e-13\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a13ebf1-e3bc-83ec-8e04-eb5854921a4e-13\" data-turn-id-container=\"request-6a13ebf1-e3bc-83ec-8e04-eb5854921a4e-13\" data-testid=\"conversation-turn-158\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"6257cec4-f568-4993-8aec-bec265148c15\" dir=\"auto\" data-message-model-slug=\"gpt-5-5-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003ch4 data-start=\"0\" data-end=\"436\"\u003eHugues Panassié’s \u003cem data-start=\"30\" data-end=\"47\"\u003eLouis Armstrong\u003c\/em\u003e is a compact, admiring study of Armstrong as musician, performer, and social presence.\u003c\/h4\u003e\n\u003cp data-start=\"0\" data-end=\"436\"\u003eHe goes deep into his New Orleans childhood, how he became a trumpet player, a singer, then suddenly the global figure who somehow remained attached to the world that made him. Panassié writes as a jazz critic of the old school — reverent, opinionated, occasionally florid, and very much writing from inside the mid-century cult of jazz greatness.\u003c\/p\u003e\n\u003cp data-start=\"438\" data-end=\"987\"\u003ePanassié was one of the major early European jazz critics, especially associated with traditional jazz and deeply resistant to bebop and later modern forms. That makes this book interesting not only as an Armstrong biography, but as a document of jazz criticism itself: full of devotion, hierarchy, argument, and the slightly insane confidence of men who believed civilisation could be sorted by horn tone.\u003c\/p\u003e\n\u003cp data-start=\"438\" data-end=\"987\"\u003eA useful little artefact for readers interested in Armstrong, early jazz writing, New Orleans music history, and the making of jazz mythology.\u003c\/p\u003e\n\u003cp data-start=\"438\" data-end=\"987\"\u003e\u003cstrong\u003ePaperback. English-language edition published simultaneously in the United States and Canada, copyright 1971 Hugues Panassié; French-language edition first published in Paris in 1969. Printed in the United States. Fair shelf wear\/creasing and rubbing, especially to edges; internally clean from photos.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":44782085111891,"sku":null,"price":12.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Your_paragraph_text_-_2026-05-29T145440.027.png?v=1780030520"},{"product_id":"lynching-in-the-west-1850-1935-by-ken-gonzales-day","title":"'Lynching in the West: 1850–1935' by Ken Gonzales-Day","description":"\u003ch4 data-start=\"421\" data-end=\"1476\"\u003eIn \u003cem data-start=\"437\" data-end=\"470\"\u003eLynching in the West: 1850–1935\u003c\/em\u003e, artist and scholar Ken Gonzales-Day reconstructs the brutal and obscured history of racial violence in California and the American West.\u003c\/h4\u003e\n\u003cp data-start=\"421\" data-end=\"1476\"\u003eDrawing on newspaper archives, court records, historical photographs, postcards, and other visual material, Gonzales-Day examines more than 350 cases of lynching that took place across California between 1850 and 1935, challenging the idea that lynching was primarily a Southern phenomenon.\u003c\/p\u003e\n\u003cp data-start=\"421\" data-end=\"1476\"\u003eThe book sits between art history, photography, archival research, and political history, showing how violence was recorded, circulated, forgotten, and visually sanitised. Gonzales-Day’s work is especially interested in what images conceal as much as what they show, making for a serious, visually and historically rich title for readers interested in American history, photography, race, archives, colonial violence, and the politics of looking.\u003c\/p\u003e\n\u003cp data-start=\"421\" data-end=\"1476\"\u003e\u003cstrong\u003eDuke University Press paperback edition. New and unopened in original shrinkwrap, with only very minor external shelf\/handling wear visible to the wrap. Illustrated throughout.\u003c\/strong\u003e\u003c\/p\u003e","brand":"bower studio","offers":[{"title":"Default Title","offer_id":45177957285971,"sku":null,"price":48.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0268\/2707\/files\/Yourparagraphtext-2026-06-03T135223.232.png?v=1780458873"}],"url":"https:\/\/bowerbooks.com\/collections\/black-writing-thought-culture.oembed","provider":"bower books","version":"1.0","type":"link"}