An assembly of photographs, documents, and fragments drawn from institutional collections—anthropological records, colonial images, state-held material—staged, catalogued, misread, stripped of context.

Andrew doesn’t restore these materials to an imagined original truth; instead, the sequencing, scale and graphic intervention show the unreliabilty of how we archive things. You move through it aware that documentation is never passive—it is an act, and often a violent one.

Andrew’s practice sits within a broader interrogation of museums and archives as sites of control, particularly in relation to Indigenous histories and representation. Evidence draws on his Wiradjuri heritage and longstanding engagement with institutional critique. 

Here's a link to the 2016 exhibition.

Softcover exhibition catalogue. Very good condition overall—light surface wear to covers, interior clean and well-bound.